Tuesday, June 11, 2019

Why Poe? by Christopher Conlon author of Annabel Lee: The Story of a Woman, Written By Herself

Why Poe?by Christopher Conlon
©  2019 by Christopher Conlon

What is it about Edgar Allan Poe? A writer of morbid poems and tales of terror who died 170 years ago, Poe stands today virtually without equal in the canon of American literature. Only Mark Twain and perhaps Ernest Hemingway can lay claim to anything like a similar stature in both critical opinion and popularity—and Poe goes back quite a bit farther than either. Why should an author who wrote about crazed killers obsessed with black cats and beating hearts and weird birds who say only “Nevermore” be so central to our imagination now, in the 21st century? What is it about Edgar Allan Poe?

In writing my novel Annabel Lee I gave a great deal of thought to Poe’s seeming immortality, and it seems to me that the answer lies in what I view as the overarching theme of much of his work: anxiety. Today we can hardly open a newspaper (or a news webpage) without reading about anxiety—its ever-increasing presence in our society, its impact on the workforce, its effects on children, new medications, new approaches to treatment. Sometimes it seems as if the entire country is wrapped up in kind of free-floating anxiety.

Edgar Allan Poe is America’s greatest artist of anxiety. We may not personally be obsessed with an old man’s cataract-covered eye or on getting revenge on an enemy by walling him up in our basement, but the emotions of Poe’s characters, their giddy feelings of overwhelming and sometimes inexplicable terror, speak to us with amazing directness today. The language may be antiquated, but the character’s subjective experiences of reality feel completely contemporary. I sometimes wonder if, in some strange way, Poe sensed the world that was coming—vast wars, genocides, insanely destructive weapons—and sent out his poems and stories to the future, prophetic messages in bottles for us to find in our own time….


Annabel Lee

It was many and many a year ago,
   In a kingdom by the sea,
That a maiden there lived whom you may know
   By the name of Annabel Lee;
And this maiden she lived with no other thought
   Than to love and be loved by me.

I was a child and she was a child,
   In this kingdom by the sea,
But we loved with a love that was more than love—
   I and my Annabel Lee—
With a love that the wingèd seraphs of Heaven
   Coveted her and me.

And this was the reason that, long ago,
   In this kingdom by the sea,
A wind blew out of a cloud, chilling
   My beautiful Annabel Lee;
So that her highborn kinsmen came
   And bore her away from me,
To shut her up in a sepulchre
   In this kingdom by the sea.

The angels, not half so happy in Heaven,
   Went envying her and me—
Yes!—that was the reason (as all men know,
   In this kingdom by the sea)
That the wind came out of the cloud by night,
   Chilling and killing my Annabel Lee.

But our love it was stronger by far than the love
   Of those who were older than we—
   Of many far wiser than we—
And neither the angels in Heaven above
   Nor the demons down under the sea
Can ever dissever my soul from the soul
   Of the beautiful Annabel Lee;

For the moon never beams, without bringing me dreams
   Of the beautiful Annabel Lee;
And the stars never rise, but I feel the bright eyes
   Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
   Of my darling—my darling—my life and my bride,
   In her sepulchre there by the sea—
   In her tomb by the sounding sea.

Annabel Lee:
The Story of a Woman, Written By Herself
by Christopher Conlon
Genre: Historical Gothic

Everybody knows Edgar Allan Poe’s “Annabel Lee”—but who was she really? In this haunting and evocative novel, Christopher Conlon (“one of the preeminent names in contemporary literary horror”—Booklist) imagines a life for one of literature’s most renowned characters. Hers is a chronicle even more thrilling, doom-haunted, and tragic than Poe himself could have conceived, for here Annabel Lee tells her own story in her own words…for the first time.




Christopher Conlon (b. 1962) is best known as the editor of the Bram Stoker Award-winning anthology "He Is Legend" (Gauntlet/Tor), a tribute to author Richard Matheson which was reprinted by the Science Fiction Book Club and in multiple foreign translations. His novel "Savaging the Dark" was included in Booklist's "Top Ten: Horror" for 2015 (starred review) and acclaimed by Paste Magazine both as one of the 21 Best Horror Books of the 21st Century and as one of the 50 Best Horror Novels of All Time. Two of his earlier novels, "Midnight on Mourn Street" and "A Matrix of Angels," were finalists for the Stoker Award, and he has written numerous collections of stories and poems along with two full-length stage plays. A former Peace Corps Volunteer, Conlon holds an M.A. in American Literature from the University of Maryland and lives in the Washington, DC area.




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